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¹ÙĨ´Ï´Ù

 

I know I shouId know this, darIing,
but are you mad at me?

 

Baby. HoIIy.

 

[SIGHS]

 

I did something, right?
I did something bad, right?

 

ShouId I know what it is?

 

Or is it something
maybe you just think I did?

 

No, no. I did it. I did it.

 

It was a bad, bad thing I did,
and I'm so sorry, Iuv.

 

HoIIy, come on, wiII you?

 

HoIIy, wait. Baby...

 

[PANTING]

 

...you have to Iet me in on it.

 

Or are you waiting untiI we're in
the apartment before you taIk to me?

 

[SIGHS]

 

Are you gonna make me
sIeep in the bathtub again?

 

GERRY:
Oh, no, I don't know what I said.

 

-You said it. You know you said it.
-No, I don't know what I said...

 

-...but I didn't mean it.
-You mean everything you say.

 

Sometimes I mean nothing
when I say something.

 

Something is never nothing.
It's aIways something.

 

Most of what I say is nothing.
Just something to say.

 

Men say it's just something to say
to get away with saying something...

 

-...but they know they're saying something.
-Say what? What did I say?

 

You said at my mother's, you
wouId have a baby but I'm not ready.

 

To my mother! You might as weII
have said I'm a Iesbian.

 

WeII, I am the onIy man you ever had.

 

Oh, I dated Timmy Harrison
for four months before I met you.

 

-Isn't he a woman now?
-Aah!

 

You toId my mother
I didn't want chiIdren!

 

-I did not. I didn't say that.
-Yes, you did.

 

-Yes, you did. You said exactIy that.
-I did not.

 

I didn't say that you weren't ready to
have a baby. I said that you wanted to wait.

 

Which means I don't want one right now.

 

-Right.
-Thank you.

 

Wait a minute. I'm confused.
Can I get a ruIing on this?

 

No, you're not confused.
You're just wrong.

 

''HoIIy doesn't wanna have a baby.''
We had a pIan, Gerry.

 

To wait to have chiIdren
untiI we couId buy an apartment...

 

...put 25 percent of each paycheck
into a separate joint account...

 

...with a 6.25 interest for 5 years.
Why didn't you teII my mother that?

 

Ha-ha-ha. Each paycheck?

 

DarIing, you onIy just started
getting reguIar paychecks.

 

-You quit five jobs in two years, remember?
-WeII, I can't work for idiots.

 

-They can't aII be idiots.
-Yes, they can.

 

They can aII be idiots.
And why didn't you teII my mother...

 

...about the business Ioan you and John
took out without asking me?

 

Oh-- Aha!

 

You see, you-- You finaIIy said it.

 

-I knew that's why you're angry.
-That's not the reason.

 

It is not the reason.

 

-It is the reason.
-We shouId have waited.

 

Waited for what? What?
I've been driving Iimos for four years, HoIIy.

 

So John and me, we wanna start a business.
We buy a few cars, we get a few cIients.

 

That's a career right there.
What is your probIem?!

 

What if it doesn't work?
What if we aIways have to Iive here?

 

And what about what I want, huh?

 

You think
I wanna be a reaI estate agent...

 

...showing apartments to buy
that I can never Iive in?

 

There may be other things
I wanna do with my Iife.

 

-Okay. Like what?
-I don't know. Other things.

 

Then quit, aII right? The job makes you
cranky at home every bIoody day anyway.

 

-You wanna have a baby? Let's do it.
-See?

 

-I hate when you do that.
-Hah. Do what?

 

''Let's have a baby.'' La-Ia-Ia!

 

In a five-fIoor waIkup we can bareIy move
in. I'd change diapers on the windowsiII.

 

You have to have a pIan. You can't act Iike
everything's just gonna work out by itseIf.

 

Why do I have to be
the responsibIe grownup who worries?

 

Why can't I be the cute, carefree
Irish guy who sings aII the time?

 

Because you can't sing
without making dogs bark.

 

[HOLLY GRUNTS]

 

Look, HoIIy, peopIe have babies
with no money aII the time.

 

If you're so worried about it, why don't
you stop buying designer cIothes?

 

I buy everything on eBay.

 

It doesn't count when you're wearing
Marc Jacobs from MinneapoIis.

 

[DOOR OPENS]

 

Do you want to have a baby?

 

-Do you?
-Yes, I do.

 

-See?
-See what?

 

I know what you're reaIIy saying
even when you don't say it.

 

You mean the two conversations thing.

 

The one we're having
and the one you think we're having.

 

You said that to my mother because you're
mad at me for not wanting chiIdren yet...

 

...and because I'm no fun anymore and
we don't have enough hot, nasty sex...

 

...because I'm aIways bitching about biIIs.
Why don't you just be honest and say it?

 

Say what you mean.

 

AII right.

 

I wish we had more hot, nasty sex.

 

Or the other kind is fine.

 

What you're reaIIy saying is this
isn't the Iife you wanted, is it?

 

WeII, that's not what I'm saying.
Is that what you're saying?

 

And what if this is it, Gerry?
What if this is aII there is to our Iife?

 

-What do you mean?
-It means this is it.

 

We're a married coupIe
who own a Iimo company...

 

...who may or may not have chiIdren,
end of story.

 

-WeII, what other story do you want?
-I don't know. I--

 

What do you want, HoI? What?

 

Because I'm tired
of trying to figure it out.

 

You want a bigger apartment?
I'II take a second job.

 

You want a chiId, you don't want a chiId.
What?

 

I know what I want because
I have it in my hands right now.

 

Do you?
Do you know what you want?

 

Because you better teII me now
if I'm not it.

 

Or what? You gonna Ieave?

 

-You want me to Ieave?
-If you wanna Ieave.

 

-Don't use me as an excuse.
-I'II Ieave if you want me to.

 

Then Ieave if you wanna go.

 

-Don't push me.
-You wanna Ieave, just say goodbye.

 

Oh, that's me boIIocks!

 

-Stop acting biIinguaI.
-Oh, kiss me arse.

 

Kiss mine in EngIish!

 

[DOOR SLAMS]

 

[DOOR CREAKS OPEN]

 

Are we finished now, Iuv?
Can I come back?

 

Yeah.

 

I'm sorry. I'm sorry.

 

-I'm sorry, Iuv. Ahhh.
-I'm sorry.

 

I'm sorry I said the wrong thing
to your mother.

 

God, I stiII get nervous around her.

 

I stiII think after nine years,
she doesn't Iike me.

 

I know I'm being stupid.

 

No, you're not being stupid, baby.
She doesn't Iike you.

 

ReaIIy? And I thought deep down,
she reaIIy Ioved me.

 

No, she doesn't.
I was 1 9 when we got married.

 

And you corrupted me
with sex and charm...

 

...and the Ionger it takes you to make your
fortune, the Iess sexy and charming you are.

 

Hmm.

 

What? What are you Iooking for?

 

Me baIIs. They were hanging there
a minute ago.

 

My mother said it was a mistake marrying
you because I Ioved you too much.

 

''It won't Iast.''

 

I don't wanna make any mistakes, Gerry.

 

WeII, you're in the wrong species, Iuv.
Be a duck.

 

[MO ANING]

 

My baby.

 

We're not a mistake
just because we don't have any money.

 

And we are gonna Iast.

 

You know how I know?

 

Because I stiII wake up every morning...

 

...and the first thing I want to do
is see your face.

 

Oh, I'm sorry.

 

I see peopIe buying bigger apartments
and having babies.

 

I get so afraid sometimes
our Iife's never gonna start.

 

No, baby.

 

We're aIready in our Iife.

 

It's aIready started. This is it.

 

You have to stop waiting, baby.

 

And HoI, you can't keep eating
me head off, teIIing me to Ieave.

 

I'm not going anywhere.

 

[SIGHS]

 

I'm not your dad.

 

Or don't you know that yet?

 

[CHUCKLES]

 

I shouId get my shoes.

 

They're aII over the pIace.
They're gonna think I don't Iove them.

 

[SIGHS]

 

[MUSIC PLAYING O VER STEREO]

 

[HOLLY LAUGHING]

 

HOLLY:
Whoo!

 

Shake it, baby.

 

Do the stomach shake.

 

HOLLY:
Whoo!

 

Oh! Ow! Aah! Ooh!

 

[MIMICS LEPRECHAUN]
My eye! I'm bIind.

 

Oh, I just wanna Iick
your IittIe GIaswegian chocoIate.

 

Okay, okay. I can't beIieve
I'm in Iove with a Ieprechaun.

 

[CHUCKLING]

 

-Oh, wait. The Iight. You were up Iast.
-The Iight?

 

-No.
-You were up Iast.

 

But I'm not up now, am I?
Baby, Iook, I'm injured. My eye.

 

God. A pain in me hoIe.

 

That's a good girI.
That's a good girI.

 

Come on, get back to bed
or I'm gonna start without you.

 

[THUD]

 

Aah! Shit.

 

-You okay?
-Shit, no! My toe! Oh! Ow!

 

I teII you what. Someone shouId get a Iight,
that side of the bed. It's ridicuIous.

 

RidicuIous.

 

-I'II get my next husband to do it.
-Oh, come here.

 

Next husband. Oh-ho-ho. Next husband.
Come here, you.

 

I'm sorry I Iose my mind sometimes.

 

-Did it hurt you? Let me Iook.
-WiII you shut up and kiss me, okay?

 

GERRY:
You crazy bitch. Pain in me hoIe.

 

[HOLLY LAUGHING]

 

Oh, DanieI, we forgot those Thanksgiving
decorations. WiII you take them down?

 

Sure, Mrs. ReiIIy.
Where do you want them?

 

Patricia. In the skinny cIoset.
Have you got the key?

 

No, I don't.

 

I'II make you a set next week.

 

And ask Gerry's drivers
to cIose the curtains, wiII you?

 

Sure.

 

MAN: Go ahead.
WOMAN: Thanks.

 

[GUESTS CHATTERING]

 

-John.
-What?

 

-Oh, Denise.
-Hi.

 

-Oh, it's good to see you.
-Do I have to heIp?

 

-No, you do not have to heIp.
-Good.

 

-Sharon, you Iook great.
-Hi.

 

-Hi. This is good.
-So do you.

 

-Am I Iate?
-No. This is gorgeous.

 

Wait tiII you see Gerry.
You're gonna die.

 

-Oh, yeah?
-Yeah.

 

WeII, as Gerry wouId say,
Iet's get this party started.

 

Gerry Kennedy did not want a Iot of words.
He preferred music.

 

He was a unique young man...

 

...as you can see by the urn he had
designed by the Iove of his Iife...

 

...his wife, HoIIy.

 

His Iife may be over for now,
but we can stiII hear it.

 

He Iives in us forever in our hearts...

 

...Iike his favorite song.

 

[THE POGUES' ''FAIRYTALE OF NEW YORK''
PLAYING O VER STEREO]

 

THE POGUES [SINGING] :
Got on a lucky one

 

Came in eighteen to one

 

I've got a feeling

 

This year's for me and you

 

So happy Christmas

 

I love you, baby

 

I can see a better time

 

When all our dreams come true

 

-You're a bum, you're a punk
-You're an old slut on junk

 

Lying there almost dead
On a drip in that bed

 

You scumbag, you maggot
You cheap, lousy faggot

 

Happy Christmas, your arse
I pray God it's our last

 

The boys of the NYPD choir
Still singing " Galway Bay"

 

And the bells are ringing out
For Christmas Day

 

Aww.

 

Mama, how you doing?

 

-Ciara.
-Oh, sis, good to see you.

 

-Oh, good to hoId you.
-Oh.

 

HeIIo, Gerry.

 

[MUSIC PLAYING O VER SPEAKER]

 

[INDISTINCT CHATTER]

 

[ALL LAUGHING]

 

-Hi, I'm Denise.
-Matt.

 

-I Iove your tie.
-Oh, thanks.

 

-Are you singIe, Matt?
-Yes.

 

-Are you gay?
-Yes.

 

Okay.

 

Did HoIIy caII his parents?
Why aren't they here?

 

I did, I spoke to the mother.

 

His father's just had another operation.
He's not supposed to traveI.

 

So why didn't she come aIone?

 

I mean, it's IreIand, it's not Japan.
It was their onIy son.

 

Don't ask me.

 

-Hi.
-Hi.

 

-I Iike your chain.
-Thanks.

 

-Denise.
-George.

 

-Are you singIe?
-Yes.

 

-Are you gay?
-No.

 

-Are you working?
-No.

 

You make a ravishing widow, sis.

 

Thanks.

 

I'm so gIad you're here, but it's so far.
I wouId've understood.

 

No, I'm done with AustraIia.
Besides, Gerry wrote me I had to.

 

He wrote you?

 

Yeah, a coupIe of months ago.
ProbabIy because of Mom.

 

He knew I'd have meIodrama
for her to pIay with...

 

...whiIe you puII yourseIf together.

 

Can I get you anything?

 

Mm.

 

-I'm sorry about your Ioss.
-Thanks.

 

How did he die?

 

-A brain tumor.
-Nice!

 

So that's a great Iooking urn.

 

I wish I were that creative.

 

I buried my dog in a stereo box.

 

[STIFLED CHUCKLE]

 

It's not the same.

 

[CHUCKLING]

 

-I Iove your suit.
-Thanks.

 

-Are you singIe?
-Yes.

 

-Are you gay?
-No.

 

-Are you working?
-Yes.

 

-Denise.
-Sam.

 

Oh.

 

[APPLAUSE]

 

When Gerry and I went to a bank
to appIy for a business Ioan...

 

...I was a IittIe nervous. Gerry toId me:

 

''ReIax, these peopIe are never
gonna give us the money...

 

...so we might as weII have some fun.''

 

[CROWD CHUCKLING]

 

No, don't cIean.

 

No, I have to do something.
I can't taIk anymore.

 

-Wanna stay with us whiIe your sister's here?
-No.

 

I think....

 

You know, I think I shouId be home.

 

I think I need to be...

 

-...home.
-WeII...

 

...this is your home too, you know.

 

But that's good. Get back on your feet.

 

That's a good thing.

 

[SIGHS]

 

[PANTING]

 

[PHONE BEEPS]

 

[RECORDING]
Hey, it's Gerry at Enniskerry Limo.

 

Leave a message.

 

[DIALS PHONE]

 

[PHONE BEEPS]

 

Hey, it's Gerry at Enniskerry Limo.
Leave a message.

 

Hey, it's Gerry at Enniskerry Limo.
Leave a message.

 

Hey, it's Gerry at Enniskerry Limo.
Leave a message.

 

[PHONE RINGS]

 

[ANSWERING MACHINE BEEPS]

 

PATRICIA [O VER ANSWERING MACHINE] :
Holly? It's Mom. Are you all right?

 

Are you showering? Don't make me worry.

 

SHARON:
I'm worried you're not calling me back.

 

I know it's hard, honey, but don't lock
yourself in. It's been over a week.

 

-I'm here, okay?
DENISE: Hey, it's Denise.

 

Listen, I buzzed your apartment.
Nobody's heard from you.

 

Where are you? All right, call somebody.
I love you.

 

[O VER TV]
I'll make him pay for it. I will.

 

Whatever you might do,
I can do more...

 

...because I know how to fight
better than you.

 

Why can't I be Bette Davis?

 

GERRY'S VOICE:
All right? I mean, the job...

 

...makes you cranky
at home every bloody day anyway.

 

You wanna have a baby? Let's do it.

 

HOLLY: See? I hate when you do that.
GERRY: Hah. Do what?

 

HOLLY:
"Let's have a baby. " La-la-la!

 

In a five-floor walkup
we can barely move in.

 

You can't act like everything's just
gonna work out by itself, Gerry.

 

Why do I have to be the responsible
grownup who worries?

 

[O VER TV]
If you're killed, I'll be free.

 

If I'm killed, it really doesn't matter.

 

If we both die, good riddance!

 

JOHN ELDREDGE:
Go ahead, crash it. Crash it!

 

[SIGHS]

 

[TV CLICKS OFF]

 

Gerry, get the Iight.

 

It's your turn.

 

Mmm.

 

[GUITAR PLAYING]

 

GERRY [SINGING] :
I just want to see you

 

When you're all alone

 

I just want to catch you if I can

 

I just want to be there
When the morning light explodes

 

On your face it radiates
I can't escape

 

I love you till the end

 

-Do aII Irishmen sing?
-Heh.

 

I'll love you till the end

 

Ah. OnIy the reaIIy weII-hung ones.

 

I can't faII asIeep aIone.

 

I'm right here, baby.

 

I had a terribIe dream.

 

Don't teII me.

 

Gerry, I don't wanna go back to work.

 

-What shouId I do?
-Quit.

 

Stay here with me.

 

[MO ANS]

 

I don't have a pIan, Gerry.

 

That's okay, luv,
your plans never work out anyway.

 

Hmm.

 

That's true.

 

[JUD Y GARLAND SINGING
''THE MAN THAT GOT AWAY'' O VER TV]

 

HOLLY [SINGING ALONG] :
And all because of the man

 

That got away

 

No more his eager call

 

The writing's on the wall

 

The dreams you dreamed
Have all

 

Gone astray

 

The man that won you
Has run off and undone you

 

That great beginning
Has seen a final inning

 

Don't know what happened

 

It's all a crazy game

 

No more that all-time thrill

 

For you've been

 

Through the mill

 

And never a new love

 

Will be the same

 

Good riddance, goodbye--

 

[TV CLICKS OFF]

 

CIARA:
Whoo!

 

ALL:
Happy birthday!

 

[BOTH BLOW PARTY HORN]

 

You're 30!

 

Hey, HoIIy...

 

...these were faIIing out of your maiIbox.

 

What is that smeII?

 

I wasn't expecting company.
Mom, don't cIean.

 

-I'm not. I'II just organize the garbage.
-We did try to caII first.

 

-Are you drunk?
-No.

 

-Do you wanna be?
-Ciara.

 

What happened to your head?

 

PimpIe.

 

-You're not showering?
-You aIways squeeze it too hard.

 

-What is that smeII?
-It's me, aII right?

 

Hey, hey, hey. Don't be Iike that.

 

-Like what?
-Like the onIy IoneIy widow in Gotham City.

 

I'm just...exhausted.

 

Yeah, weII, what are you doing,
two shows a night?

 

[STIFLED CHUCKLE]

 

You know, if you want us to Ieave,
that's fine...

 

...but you do know that at some point,
this aII has to stop.

 

AII right.

 

Just give me a second, okay?
I'II get cIeaned up.

 

-Okay, troops, Iet's sweep the area.
-Yes.

 

I haven't caIIed the office. Are they mad?

 

Nah. There's no rush.

 

Even Larry said, ''Take aII the time you
need. The job is there when you're ready.''

 

That was nice of him.

 

-He's an asshoIe.
-He's stiII an asshoIe.

 

Do you think it'II be aII right
if I stop my Iife right here?

 

Become the Miss Havisham
of the Lower East Side.

 

Never Ieave my apartment tiII I'm oId.

 

-Sit in my wedding dress.
-Which you never had.

 

-With an oId piece of wedding cake.
-Which you never had.

 

You gotta be rich to be insane, HoI.

 

[DOORBELL BUZZES]

 

Losing your mind
is not a Iuxury for the middIe cIass.

 

CIARA: I'II get it.
-That's so not fair.

 

No, it's not.

 

HoIIy? Something's been deIivered for you.

 

What is this?

 

-I don't understand. Did you do this?
-No.

 

JOHN:
Wait a minute.

 

-John, teII me the truth. Did you do this?
-No. I did nothing, I swear.

 

[MUSIC PLAYING]

 

GERRY [O VER TAPE RECORDER] :
Hey, baby. Surprise.

 

I know this probably feels
a little bit morbid...

 

...but I just hate the idea
that I'm not gonna be there...

 

...to see you freak out over turning 30.
I mean, it kills me not to be there.

 

Heh-heh. That's funny.

 

-No, it's not.
-Okay. No, it's not.

 

You're gonna be so impressed.
I have a plan, baby. Can you believe it?

 

I've written you letters. Letters that will be
coming to you all sorts of ways.

 

I waited till your birthday. I figured
you weren't stepping out of the house...

 

...for a while. Letter number one
will be arriving tomorrow.

 

Now, you must do what I say, okay?

 

Okay?

 

Don't try to figure out
how the letters are coming.

 

It's too brilliant and it'll ruin my plan.
Just go along with me on this.

 

Because the thing is,
I just can't say goodbye yet.

 

So for starters...

 

...I want you to get dolled up,
and just go out and celebrate tonight.

 

Go out with your girlies.

 

I hereby free you from a party with
your family, especially your mom.

 

Oh, man, your mom's there, isn't she?

 

Mm. Shit.

 

Sorry, Patricia.

 

It isn't that I don't love you...

 

...but she needs to get a little crazy.
So have a slice of the bloody cake...

 

...put on your dress
and get out of the apartment.

 

-Denise, make a plan.
-I'm on it!

 

-I'II heIp.
-Just leave me with John, okay?

 

And know that wherever I am,
I'm missing you.

 

Happy birthday.

 

I love you.

 

[WHOOPING, CHATTERING]

 

-Come on.
-Look, it's a private gay cIub.

 

Yes, but we are on the Iist.
My coIorist caIIed and he's gay.

 

Gay coIorist in New York?
Like sand on the beach.

 

Listen, CrystaI. Don't mess with her.

 

-He's a very good coIorist.
-Uh-huh.

 

And she's the princess of FinIand.

 

And she's here on matters
of criticaI poIiticaI importance.

 

And she's here to extend
the hand of friendship from FinIand...

 

-...to homosexuaIs...
MAN: That's us!

 

...throughout the tri-city area.

 

[MEN WHOOPING]

 

[INDISTINCT CHATTER]

 

What?

 

[CROWD CHEERING]

 

HOLLY:
Thanks.

 

Great. You're fired.

 

[DANCE MUSIC PLAYING O VER SPEAKERS]

 

[CROWD CHEERING]

 

Okay. ''Snaps'' is the name of the game.
The name of the game is ''Snaps.''

 

Make sure you pay attention.

 

[SNAPS]

 

Ready?

 

[SNAPS THREE TIMES]

 

Have you got it?

 

Mariah Carey?

 

[ALL CHEER]

 

I don't get it.

 

-PauI.
-God, he's been dead, Iike what?

 

-Fifteen years.
-UnbeIievabIe.

 

-Can you beIieve that?
-You remember Steve?

 

Steve was so sweet.
He was a good guy.

 

-Honey, don't be so Miss Doom and GIoom.
-You'II be fine.

 

Yeah, don't worry about it.

 

CIARA:
''Snaps'' is the name of the game.

 

The name of the game is ''Snaps.''

 

-Do you hear me?
-Yeah.

 

[SNAPS TWICE]

 

Ready? Keep Iooking.

 

PATRICIA AND JOHN:
Derek Jeter!

 

-Come on. No.
-How?

 

SHARON:
This is a stupid game.

 

[WOMEN LAUGHING, CHATTERING]

 

Sorry.

 

What are you doing?

 

Trying to figure out
why God kiIIed my husband.

 

WeII, if you need any heIp with that,
Iet me know.

 

-Ow!
-Sorry. Heh.

 

-DanieI?
-Yeah.

 

So why do you think...?

 

Your husband died?

 

Maybe you're being punished
for something.

 

-What?
-Being too happy? Too beautifuI?

 

I don't know.
God can be a pretty jeaIous guy.

 

I don't beIieve that. I've never been
too happy. I'm not too beautifuI.

 

I think you're hot.

 

Sorry, I have a syndrome.

 

I don't reaIIy have a fiIter.
I don't pick up on sociaI cues.

 

You mean you're rude?

 

Yeah, but now it's a disease
I can take medication for.

 

They have piIIs for rudeness?

 

I know. And they can't figure out
the MiddIe East. Go figure.

 

[BOTH CHUCKLING]

 

Hey, you're Irish.
Maybe it's an Irish curse or something.

 

WeII, Gerry and I did Iove the Yankees...

 

...which was pretty much
against our reIigion.

 

WeII, there you go.

 

That expIains a Iot, actuaIIy. I Iove the
Yankees too, and I Iost my fiancee Iast year.

 

ReaIIy?

 

Yeah, she sIept with my best friend.
She Ieft me.

 

Oh....

 

My best friend was a woman.

 

Oh.

 

Her Iast words to me were, ''I'd stiII
be with you if you weren't a man.''

 

And I'm Iike:

 

''WeII, castrating me is definiteIy the first
step toward achieving that particuIar goaI.''

 

It's stiII my fauIt. I introduced them.

 

I aIways had this fantasy about making Iove
to two women at the same time.

 

Except in my fantasy, I was stiII
in the bed for the second and third time.

 

-Sorry.
-Then this'II make you feeI great.

 

The best friend that my ex-fiancee sIept
with was my ex-ex-fiancee...

 

...and she was my business partner, and
we started the business with my money.

 

So I ended up Iosing the business,
my partner and my fiancee.

 

How'd you get over that?

 

I went through, Iike,
a major hooker phase aII year.

 

But that didn't heIp.

 

No, it heIped a Iot.
I just started to run out of money.

 

It's actuaIIy a Iot cheaper to date.

 

Do you think that you're gonna ever find
another woman to Iove?

 

No.

 

No, I think I repeI
the women that I want the most.

 

That's not true.

 

No?

 

[VOMITING]

 

No?

 

HOLLY:
Thank you, DanieI.

 

You can start cIosing up downstairs.

 

Right.

 

[MO ANS]

 

[CELL PHONE RINGTONE
PLAYING LOUDLY]

 

What do you want?

 

-Oh, good. A friendIy voice.
HOLLY [O VER PHONE] : Oh.

 

What happened Iast night?

 

Lemon drops and tequiIa, my friend.

 

The moment where a 30-year-old body
does not recover quite as fast...

 

...as a 29-year-oId body.

 

Stop screaming at me.

 

-Are you working?
-HeII, no.

 

But I toId him we're gonna start next week.
We'II go out starting Monday.

 

-Is that okay?
-No, I was pIanning on...

 

...staying in bed and dying today.

 

[CHUCKLES]

 

WeII, you can't.

 

You gotta go check the mailbox,
remember?

 

Call me immediately.

 

GERRY: Save yourself bruises
and buy yourself a bedside lamp.

 

And remember, a disco diva
must look her best.

 

Go buy yourself a knock-out outfit. You'll
need it for when my next letter comes.

 

Need it for what?

 

And I know you hate your job,
but I'll help.

 

Look for a sign. You'll know what to do.

 

P.S. I love you.

 

[LIGHT SWITCH CLICKING ON AND OFF]

 

HOLLY [WHISPERING] :
I stiII know you're around.

 

You're stiII here, aren't you?

 

MAN:
So who Iived here before?

 

A famiIy. They're having another baby.
So do you have any chiIdren?

 

Three. GirIs. Teenagers.

 

That's nice.

 

Uh-huh.

 

Ted, Sharon says there's
another offer on the tabIe...

 

...and we have to move on this.

 

SHARON: I think if you offer another
hundred grand, they'II back down.

 

WeII, maybe we shouId taIk about it.

 

We don't have time, Ted.
We have to teII her today.

 

We didn't wanna go over--

 

I know, but we Iove this apartment,
and it is what it is.

 

There's nothing eIse.
This is what an apartment costs.

 

-We're aIready beyond our cap.
-We'II make it work--

 

-Think about another area.
-I am not Iiving in BrookIyn.

 

-WiII you Iisten to him?
BOTH: What?

 

He's obviousIy worried about this.

 

-Look at him. He's paIe.
-HoI.

 

Who are you to teII me
how to taIk to my husband?

 

You shouIdn't push this on him
if he doesn't want to.

 

I'II push what I want on him.
He's my husband.

 

I want this apartment.

 

-Say no, Ted.
-It is amazing that you are stiII taIking.

 

-Don't Iisten to her.
-Ted, she's being a tyrant.

 

She's got your baIIs on one of those
things that cIing back and forth.

 

-You know?
-Yeah.

 

-You bitch.
-Brat.

 

-Shut up!
-You shut up!

 

No, you shut up!
I wiII end you, and when I do--

 

-You know what? I'II teII you--
-No. No. No. Okay, teII me.

 

He's my husband, I'II taIk to him the
way I want to. I'm not Iiving in BrookIyn!

 

VICKY: Do you know who I am?
HOLLY: What's wrong with BrookIyn, Iady?

 

[DOORBELL BUZZING]

 

Are you HoIIy Kennedy?

 

-If I am, wiII you sing?
-Yes.

 

-No, I'm not.
-PIease don't make this an issue.

 

-I gotta sing and deIiver a Ietter.
-A Ietter? What's the song?

 

-''Yah Mo Be There.''
-Just give me the Ietter.

 

-I couId get reported.
-By the Ieprechaun union?

 

You know, I was in an off-Broadway pIay
with AI goddamn Pacino.

 

I don't need this shit.
You want the baIIoons?

 

-No.
-Fine.

 

[OPENING ENVELOPE]

 

You bastard.

 

There's no way I'm doing this.

 

GERRY: Yes, you are.
-No, I'm not.

 

-Oh, yes, you are.
-Oh, no, I'm not.

 

Remember the last time?

 

[SINGING]
All you wanna do is ride around, Sally

 

CROWD [SINGING] :
Ride, Sally, ride

 

All you wanna do is ride around, Sally

 

CROWD:
Ride, Sally, ride

 

GERRY:
Yeah!

 

One of these early mornings

 

You gonna be

 

[CROWD CHEERING]

 

Wiping those weeping eyes

 

Those weeping eyes, yeah

 

Yeah, yeah, yeah.

 

[CHEERS AND APPLAUSE]

 

GERRY:
Thank you very much.

 

Oh, my God.

 

[COUGHS]

 

GERRY: Whoo!
-One more!

 

Okay. I guess it's time to give
somebody eIse a chance here now.

 

Who wants a shot?

 

Anybody eIse here wiIIing to give it a go?

 

[CHATTERING]

 

YourseIf? No? Young Iady.

 

Come on. Don't be shy.

 

-What about HoIIy?
-Stop it.

 

HoIIy. I don't know about that, John.

 

HoIIy's my wife, by the way.
My beautifuI wife.

 

And I do-- I Iove HoIIy, I do.

 

But she wouId never have the guts...

 

CROWD:
Oh!

 

...to do something Iike this.

 

Oh, no.

 

In fact, she ate me head off
about coming out tonight.

 

You know, she had
a Iong day at the office.

 

[GERRY SNORES]

 

Ah. She'II never do it.

 

Yep.

 

[CROWD CLAMORING]

 

GERRY:
Oh, you think so?

 

You think she'd get up here?
Okay, I'II bet you 1 00 doIIars...

 

-...she doesn't get up on this stage.
CROWD: Oooh.

 

[CROWD CHATTERING]

 

Make it two.

 

[ALL CHEERING]

 

[LAUGHS]

 

[MUSIC PLAYS O VER SPEAKERS]

 

[CHEERS, WHISTLES AND APPLAUSE]

 

-What is she doing? What is she doing?
-Ha-ha-ha.

 

That's my wife, the surpriser.

 

[SINGING]
How can I put this in a way

 

So as not to offend or unnerve

 

HoIIy!

 

There's a rumor going all around
That you ain't been getting served

 

AII right.

 

They say that you ain't you know what
In, baby, who knows how long

 

It's hard for me to say what's right
When all I wanna do is wrong

 

Get off
Twenty-three positions in a one-night stand

 

Get off
I'll only call you after if you say I can

 

Get off, let a woman be a woman
And a man be a man

 

Get off
If you want to, baby

 

Here I am
Here I--

 

ALL: Oh!
-Oh, God!

 

[SIREN WAILS]

 

[GERRY SIGHS]

 

Do you mind coffee?

 

How do you feeI? You Iook good.

 

I'm sorry, baby, but I have to say
you were reaIIy good before--

 

My nose is broken, Gerry.
My ankIe is twisted. Happy?

 

-Are you mad at me?
-I didn't wanna go out...

 

...and you made me.

 

I hate karaoke
and you forced me to go up there.

 

Come on, honey. It was nobody's fauIt.

 

Oh, come here, baby. Give me a--

 

Give me a kiss.

 

[SIGHS]

 

WeII, how Iong are you gonna be mad for?

 

HOLLY:
I never let him off the hook.

 

Anytime I was mad,
I made him feeI bad.

 

I was mad when we
Ieft the house that night.

 

I was mad at him because our apartment
was too smaII. So stupid.

 

Baby, you were married.

 

Married peopIe make each other
feeI Iike shit on purpose sometimes.

 

It just feeIs good.

 

Gerry knew you were crazy about him.
He toId me aII the time.

 

WeII, I wish I wouId've toId him that night.

 

So teII him now.

 

It's sIightIy dirty. Just sIightIy.

 

[MUSIC PLAYING, INDISTINCT CHATTER]

 

Ooh.

 

He's deIicious, isn't he?

 

You couId serve coffee on that ass.

 

Do you have to be so vuIgar about men,
Iike they're pieces of meat?

 

I'm sorry, John. I forgot you're sensitive
about your fIat ass.

 

JOHN:
Hoh.

 

You know, Denise,
that's why you're not married.

 

-Ahem.
-Women act Iike men...

 

...then they compIain
men don't want them.

 

Oh, is that why? Oh.

 

Okay. Because I thought
it was something different.

 

I thought it was because
I thought that I deserve the best.

 

And he's out there.
He's just with aII the wrong women.

 

And Iet me be cIear.

 

After centuries of men Iooking at my tits
instead of my eyes...

 

...and pinching my ass
instead of shaking my hand...

 

...I now have the divine right
to stare at a man's backside...

 

...with vuIgar, cheap appreciation
if I want to.

 

-WeII said.
-I thought so.

 

New York City, how we doing? Huh?

 

-Hey, guys, we're here!
GROUP: Yay!

 

Give a warm weIcome
to our next singer.

 

Rumor has it this is her return engagement.
Put your hands together...

 

...for HoIIy.

 

[CHEERS AND APPLAUSE]

 

[SIGHS]

 

This is for you, Gerry, you son of a bitch.

 

[CHUCKLES NERVOUSLY]

 

[SONG INTRO PLAYING]

 

[SINGING]
I just wanna tell you

 

Nothing you don't want to hear

 

All I want is for you to say

 

Oh, why don't you just take me
Where I've never been before?

 

I know you want to hear me
Catch my breath

 

I love you till the end

 

I love you till the end

 

I love you till the end

 

[APPLAUSE]

 

[INDISTINCT CHATTER, LAUGHTER]

 

Okay, Iet me get this straight.

 

You're straight, you're singIe,
and you own your own business?

 

It's my own cIub.

 

I'm doing a big renovation right now.

 

-It'II open in the spring.
-Mm-hm.

 

I couId show it to you if you want.
It's over on Tenth Avenue. Wanna go?

 

Great.

 

Yeah. Let me just do one thing first.

 

Mm.

 

What's my name?

 

-Tom.
-Where have you been?

 

With aII the wrong women.

 

Hmm.

 

-Hey.
-Hi.

 

Hey, Gerry. You Iost weight.

 

Thanks for inviting me.

 

[CHUCKLES]

 

You're a terribIe singer.

 

Yes, I am.

 

-I'd be reaIIy embarrassed if I were you.
-Did you take your medication today?

 

[BOTH CHUCKLE]

 

No, I thought I'd come here instead.

 

[CHUCKLES]

 

Say, I'm feeIing kind of hungry. You feeI
Iike getting a bite or something to drink?

 

No, I'm-- I don't think so.

 

-It's aII right.
-Thanks.

 

I don't mean to throw this at you,
but what do women want?

 

I can't figure it out.
They want us to ask.

 

They don't want us to ask. They want us
to make a move, not make a move.

 

They want us to be on bottom, be on top.

 

Use hair products, don't use hair products.

 

What do you peopIe want?

 

I'II teII you, but you have to promise
not to say I toId you.

 

-I-- I swear.
-Because it's a sacred secret.

 

Sacred secret.

 

-You ready? You sure?
-Yeah. I think so.

 

Come here.

 

[WHISPERS]
We have absoIuteIy...

 

... no idea what we want.

 

-I knew it! I knew that! Son of a bitch!
-Ooh!

 

[CHUCKLES]

 

Yeah.

 

Look, if you ever just wanna get out...

 

...just do anything, just....

 

I'II wait for your caII.

 

And just so you know,
I'm not Iooking for a thing right now.

 

-I'm just fIirting in good faith.
-I appreciate that.

 

Maybe we can defy God...

 

-...and go see a Yankees game.
-Yeah.

 

[CHUCKLES]

 

We'II be reaIIy weird friends,
joined by seIf-pity, bitterness and vomit.

 

[BOTH CHUCKLE]

 

-I'd Iike that.
-Me too.

 

[MUMBLES]

 

GERRY: My leather jacket is for you.
I always loved the way that looked on you.

 

But the rest of my stuff,
you don't need it.

 

Make some space in that bloody
apartment for yourself. Go on.

 

It's time, baby.

 

P.S. I love you.

 

DANIEL:
I think you're a IittIe bit perverted.

 

I mean, you bring me
to an Irish famine memoriaI...

 

...and we're eating corned beef
sandwiches. That's pretty sick.

 

Gerry thought it was the best way
to honor the dead.

 

You know, show them
how weII we're doing.

 

I'm sorry I aIways bring him up.

 

Yeah, I'm starting to get
a IittIe bit sick of it.

 

[WOMAN LAUGHING]

 

[CHUCKLES]

 

Now that's a reaI honest-to-goodness
coupIe right there.

 

They've probabIy been together
since the FIood.

 

We're so arrogant, aren't we?

 

We're so afraid of age,
we do everything we can to prevent it.

 

We don't reaIize what a priviIege it is
to grow oId with someone...

 

...someone who doesn't drive you
to commit murder.

 

Or doesn't humiIiate you beyond repair.

 

It's sweet.

 

[CHUCKLES]

 

It's good, huh?

 

[LAUGHS]

 

HOLLY: Can I ask you a favor?
DANIEL: Sure.

 

I started bagging up Gerry's stuff.
CouIdn't finish.

 

I think I need someone who
didn't know him to get rid of it aII.

 

DANIEL:
Be happy to heIp you get rid of Gerry.

 

-Do you have to say it Iike that?
-Like what?

 

-What is wrong with you? Take a piII.
-Nothing. What?

 

What's wrong?

 

Nothing, I....

 

I've just never been aIone with another
man in this apartment besides Gerry.

 

Want me to stand out in the haII?
You can just throw me the boxes.

 

No. Heh.

 

[CHUCKLES]
That's okay.

 

I'm sorry.

 

I'm gonna change.

 

Look through stuff.
If there's anything you want...

 

-...just Iet me know.
-Okay.

 

Mm.

 

I can't remember the Iast time
somebody heId me Iike this.

 

Did you find a new husband yet?

 

Shut up.

 

[CHUCKLES]

 

Where have you been?

 

-I haven't feIt you around IateIy.
-Oh, pIease.

 

I've been so around.

 

Mm.

 

[WHISPERS]
I can feeI you hugging me.

 

That's because I am.

 

You Iook great.

 

This is the one.

 

[PHONE RINGS]

 

-Are you Barbara?
-Yes, may I heIp you?

 

I hope so.

 

You're his wife.

 

He was here?

 

[CRYING]

 

So I don't understand.
You're taking a vacation?

 

HOLLY:
It's a trip.

 

Gerry pIanned the whoIe thing
for me and Sharon and Denise.

 

You think it's the best time to vacation?

 

Gerry made aII the arrangements.
I have to go.

 

Have you spoken to DanieI? Thought you
two were spending time together.

 

We're just friends, Mom.

 

I've stood by and not said anything about
aII this, but now I think it's time it stopped.

 

-What do you mean?
-It's not heaIthy.

 

Gerry's not gonna be abIe
to keep this up forever, is he?

 

His Iife ended, and so wiII his Ietters.

 

You're gonna have to face
things on your own.

 

It was a gift from Gerry.

 

And how can you say that?

 

My husband was 35 years oId.
He wasn't supposed to die.

 

But he did. It was awfuI.

 

It's what happens.

 

But his death is a part of your Iife now.
And you have to deaI with it.

 

Stop saying that
Iike I'm not deaIing with it. I am.

 

How? By waiting for a Ietter
from a dead husband?

 

Taking a vacation? When your father Ieft,
I had two chiIdren to support.

 

-Excuse me for not having any chiIdren.
-That's not how I meant it and you know it.

 

Your father Ieaving
was just as devastating.

 

But I did what I needed to do
and got on with it.

 

-It's not the same thing.
-Why not?

 

My husband died. He was taken.
He didn't wanna go, he didn't wanna Ieave.

 

Yes, my husband wanted to Ieave.

 

And it's so much easier
being abandoned by choice, is it?

 

I've had my say.

 

I won't say anymore.

 

So where's he sending you?

 

[INDISTINCT CHATTER]

 

[CAR DOOR CLOSES]

 

Oh, my God.

 

Get the bags.

 

[CHUCKLES]
Oh.

 

-AII right.
-She just eIbowed me.

 

Know what? If that's an indication of
how this trip's gonna be, I won't have it.

 

[DENISE AND HOLLY CHATTERING]

 

[GRUNTS]

 

Is that her bag? Is that her bag?

 

-Leave it. Don't take it in.
-This is ridicuIous.

 

[HOLLY AND DENISE
CONTINUE CHATTERING]

 

HoIIy?

 

-This is heavy.
-I know.

 

SHARON:
HoIIy!

 

[SUITCASE THUDS]

 

Look.

 

[SIGHS]

 

''Hey, Big Mama. Make sure
my baby has a good time.

 

Make sure you and John do everything
you wanna do...

 

[VOICE BREAKING]
...whenever you wanna do it.

 

And make sure my baby does things.

 

[LAUGHS]

 

-I want you to take her fishing.''
-Oh, God.

 

He's been wanting to get me
on a Iake since forever.

 

''And be sure to give yourseIf
a big, sweaty pony-boy kiss from me.''

 

Ugh. Jerk. He wiII never Iet me forget
my bacheIorette party.

 

Joey the Pony Boy.

 

-Tony.
-Tony.

 

Tony, I remember him.
I bet I have a Ietter too.

 

Where wouId he hide one for me?

 

[IN UNISON]
Bedroom.

 

DENISE: ''Denise, take HoIIy to WheIan's,
my favorite pub.

 

There's beautifuI music to be heard,
beautifuI peopIe to be around.

 

And Denise, you're going to heaven
for being my baby's friend.

 

I'm making aII the arrangements
up here for you.

 

Got a few hot men Iined up. I hear
Ben FrankIin's hung Iike a racehorse.

 

Love you.''

 

-I don't know how you do this.
-Let me see it.

 

SHARON:
What?

 

He didn't Ieave me a Ietter.

 

WeII, probabIy didn't Iove you...

 

-...as much as us.
-Mm-mm.

 

[GUITAR PLAYING]

 

[INDISTINCT CHATTER, LAUGHTER]

 

Oh my God, Iook at that. Look at that!

 

Oh.

 

Oh, my God.

 

Oh. PIease Iet me buy him as a souvenir.

 

[CHEERS AND APPLAUSE]

 

-He's coming this way.
-He's coming.

 

How Iong has it been?

 

How Iong has what been?

 

How Iong has it been?

 

SHARON:
Oh, yeah. Yeah.

 

-You're gonna go taIk to him. Oh, yeah.
-Mm. No.

 

You just heard him.
Say how much you Iike it, fIatter him. Go.

 

We don't have those in the States.

 

DENISE: Go, go.
SHARON: We don't make those.

 

-You're ready.
-Go! Do it for us. Go on.

 

SHARON: Where'd she go?
-What are you doing? Go ahead!

 

I'm an oId married widow.

 

Oh, you've got much better stuff
than those tarts. You're experienced.

 

You're American. You got
foreign exotic stuff going--

 

There's nothing exotic
about being an American.

 

-He doesn't know that.
-We'II heIp you.

 

-Just take it off.
HOLLY: No, no, no!

 

SHARON:
Listen! You're gonna do what we say.

 

I'm gonna hurt you.
I'II puII your hair.

 

You Iook hot. Put your shouIders
back. Puff your hair a IittIe.

 

-You're so sexy. Go.
-Yeah, you Iook hot. Do it!

 

HOLLY:
Hi.

 

[CHUCKLING]

 

I just wanted to say
I reaIIy Ioved your music.

 

You're beautifuI. I mean--
I mean-- Sorry.

 

Your music is beautifuI.

 

Thanks.... Um--

 

-HoIIy.
-WiIIiam.

 

-You're American?
-Yeah.

 

And what brings you to IreIand?

 

HoIiday. Oh, weII, with my girIfriends.

 

-Hi.
-Hi.

 

Good. Good to have you here.

 

-Heh. Thanks.
-I have one more song to pIay.

 

WiII you stay and have a Iisten?

 

It's an American song about a IocaI girI.
I think you'II Iike it.

 

-Sure.
-Good.

 

Grand.

 

So I'II see you after, then?

 

Okay, sure.

 

[GUITAR PLAYING]

 

Em....

 

This is an American song
dedicated to HoIIy.

 

I hope you enjoy it.

 

[SINGING]
Well, I took a stroll on the old long walk

 

Of a day I-ay-I-ay

 

I met a little girl and we stopped to talk
Of a fine soft day I-ay

 

And I ask you, friend
Well, what's a fella to do

 

[CHEERS AND APPLAUSE]

 

'Cause her hair was black
And her eyes were blue

 

And I knew right then
I'd be takin' a whirl

 

Round the Salthill Prom
With a Galway girl

 

That's a very nice jacket.

 

HOLLY'S VOICE:
I won it in a bet.

 

We were halfway there
When the rain came down

 

Of a day

 

GERRY AND CROWD:
I-ay-I-ay

 

And she asked me up to her flat downtown
Of a fine soft day I-ay

 

And I ask you, friend
What's a fella to do

 

'Cause her hair was black
And her eyes were blue

 

Enough of this.

 

[CROWD CHEERING]

 

HOLLY: Why does he want me to remember
aII these things that make it harder?

 

It's crueI.

 

SHARON: I don't know, baby.
But I don't think he means to be crueI.

 

HOLLY:
What does he mean?

 

DENISE:
I don't know.

 

Come on, Iet's go.
We're taking you back.

 

[MOTORC YCLE APPRO ACHING]

 

-I think you shouId find WiIIiam.
-No.

 

I Ieft without saying anything.
He must think I'm an idiot.

 

WeII, you're an American.
They expect us to be idiots.

 

Don't push her.

 

If she's not ready, she's not ready.

 

AIthough if memory serves me correctIy,
HoIIy...

 

...the Ionger you go without sex,
the meaner and bitchier you get.

 

-Eat me.
-HeIIo.

 

[CHUCKLING]

 

WeII, I'm reaIIy mad at Gerry.

 

Maybe that's why he did it. You have to
stop wanting him at some point.

 

When?

 

[WHIRRING]

 

[GASPS]

 

-Grab the poIe!
-What?

 

-You've got a fish!
-It's a fish!

 

-Okay.
SHARON: HoIIy, grab the poIe!

 

-Okay, I'm grabbing it! I am, I am.
SHARON: Take it out.

 

-Hurry it up!
-Aah!

 

You're not hoIding the baII.
Turn the knobby thing!

 

-WiII you stop being so butch?!
DENISE: Just watch it! Oh! Ow!

 

-HeIp me!
SHARON: Do you wanna get the fish?

 

HOLLY: I'm trying.
DENISE: Stop! My naiIs are wet!

 

-Guys!
-CarefuI!

 

Guys, I Iost--

 

[ALL SCREAMING]

 

[ALL LAUGHING]

 

Oh, my God.

 

What happened to our oars?

 

SHARON:
Oh, my God.

 

HeIp!

 

ALL:
HeIp!

 

HeIp!

 

I hate cosmetics companies.

 

They get you addicted to
the perfect Iipstick or naiI poIish...

 

...and then six months Iater,
they discontinue it.

 

You have to buy your favorite coIors Iike
you're storing up for the apocaIypse.

 

That was my Iast bottIe of this.

 

I think that one of us
shouId swim ashore...

 

...and it shouId be the one
who's aIready infIated.

 

Okay, no, that's good. Here!

 

[SCREAMS]

 

[AIR HISSING]

 

-There, go swim ashore.
-Was that necessary?

 

-You can swim ashore.
-You happy...

 

-...I inhaIed aII these toxins?
-You jump in!

 

-Stop fighting! You're acting Iike babies!
-AII right. Shut up!

 

[AIR HISSING]

 

Nice.

 

[AIR HISSING]

 

Maybe we'II eventuaIIy
drift towards the shore.

 

What shore? That couId take months.

 

Better not take more than nine or eIse
there'II be another person on this boat.

 

What?

 

I wasn't gonna say anything
untiI we got back.

 

I'm having a baby.

 

[BOTH SCREAMING, LAUGHING]

 

A baby? Sharon, wow.

 

I know, I know.

 

-When are you due?
-March.

 

Oh, thank God.
You can stiII be in my wedding.

 

What?

 

Ah! I'm getting married.
Tom proposed, I said yes...

 

...and we're pIanning
a New Year's Eve wedding.

 

Aah! Gosh!

 

CongratuIations!

 

[DENISE AND SHARON LAUGHING]

 

-You okay?
-Yeah. No. Yeah.

 

No, I mean, it's just-- This is just
a Iot of information to get in one boat.

 

Oh, baby, I'm sorry.

 

I wasn't gonna say anything
untiI we got back. This is your trip.

 

-No, no, it's okay.
-Yeah, no, me too.

 

But, you know, we might die here,
so I'm not going down as a spinster.

 

-You're getting married.
-You're having a baby.

 

-Oh, my God. What, are you kidding me?
-What?

 

-God.
-I know.

 

[DENISE AND HOLLY CHUCKLING]

 

[THUNDER RUMBLING]

 

Mm.

 

Who's the cook?

 

-I am.
-Me.

 

-We aII heIped.
-Ugh.

 

Denise is getting married.
Isn't that great?

 

Sharon's pregnant. Heh.

 

WILLIAM: CongratuIations to both of you.
DENISE: Thank you.

 

SHARON:
Thank you.

 

The food was great. I don't think
I came up for air once.

 

[BOTH GIGGLING]

 

[CHUCKLES]

 

You know, it got a Iot darker
whiIe I was busy.

 

Mm. Yeah, it gets dark at night...

 

...here.

 

You work on the Iake?

 

Two days a week. Kind of a patroIman.

 

AIthough, I gotta say, first time
I ever had to save anyone.

 

I feeI reaIIy badIy about you having
to drive aII the way back this Iate.

 

-That's enough.
SHARON: In this rain, forget it.

 

DENISE:
FeeI free to stay tiII morning.

 

SHARON: Yeah, we have a puII-out couch.
A bed that puIIs out.

 

Oh.

 

It is a Iong drive.

 

-I wouId Iove a shower.
-What a great idea!

 

There's one downstairs, it's fantastic.
I'II get you some Iinens and toweIs.

 

I'II show you.

 

Great. Take your wine....

 

[SHARON CHUCKLES]

 

[WHISPERING]
What, are you crazy?

 

DENISE:
He's staying the whoIe night.

 

He's gonna be here aII night Iong,
aII night Iong.

 

He's gonna be here aII night.

 

[WATER RUNNING]

 

[SHARON AND DENISE CHATTERING
AND LAUGHING]

 

SHARON:
You have to get pregnant immediateIy.

 

DENISE:
ImmediateIy. We can have kids together.

 

SHARON: How cute is that?
I mean, how cute is that?

 

I don't know, I have this weird feeIing.
I feeI Iike there's a boy inside of me.

 

[CHATTERING AND LAUGHING CONTINUES]

 

[WILLIAM CLEARS THRO AT]

 

Oh, Jesus! Oh, sorry.
I thought you were upstairs.

 

I need to just get my cIothes.

 

I'II get out of your way.

 

[SIGHS]

 

Sorry about that.

 

WouId you Iike a drink?

 

ShouId I just Iick it off the counter, then?

 

-Oh, no!
-Yeah.

 

Sorry, no-- It's been a Iong time
since I've seen a man that naked.

 

I mean, you have a--
How about that drink?

 

-You're very sweet.
-Oh, God.

 

The Iast time a guy said that he foIIowed it
up with, ''But I don't date 1 3-year-oIds.''

 

[CHUCKLES]

 

WeII, Iucky for you, neither do I.

 

Cheers.

 

Cheers.

 

[GLASS THUDS]

 

[HOLLY MO ANS]

 

[LAUGHS]

 

-Oh, I'm sorry.
-Hi.

 

Sorry. Oh, I can't do this, I'm sorry.
It's not you.

 

Look at me, I'm shaking.
I don't know how to do this.

 

Don't even know if I want to,
I haven't been heId in--

 

Oh, never mind. I'm just screwed up.
I'm troubIe. Yeah.

 

-I Iike troubIe.
-Oh, no. Heh.

 

I don't mean ''cooI Pulp Fiction " troubIe...

 

...I mean ''mentaI case wacko'' troubIe.

 

I'm out of my Ieague here. I mean,
I haven't had a new man in over 1 0 years.

 

I had this oId one. I mean, he wasn't oId.

 

He was just oId to me
because I had him so often.

 

He was my husband, but he died.

 

[WILLIAM EXHALES]

 

Kissing him Iike that,
I'm not surprised, poor Iad.

 

[CHUCKLING]

 

No, it's not gonna work.

 

I feeI Iike I'm trying on a new pair of shoes
I reaIIy wanna buy, but they just don't fit.

 

Sorry.

 

AII right then, how about
going barefoot for a whiIe?

 

[RAIN PATTERING]

 

WILLIAM: There's no man, aIive or dead,
who's gonna fauIt you for Iiving.

 

You're very sweet.

 

He was a good man, I reckon,
your man who died.

 

Yes...

 

...a very good man.

 

-WiIIiam?
-Hmm?

 

CouId you drive me to Enniskerry
in the morning?

 

Sure.

 

You got friends there?

 

FamiIy. Sort of.

 

-In-Iaws. I shouId see them.
-Hmm.

 

What's their name? Maybe I know them.

 

The Kennedys.

 

Not Rose and Martin?

 

Yeah. You know them?

 

You're not Gerry's HoIIy?

 

What?

 

Oh....

 

You're the girI from the pub that night.

 

I was in Gerry's band.

 

Not BiIIy...

 

-...GaIIagher?
-One and the same.

 

[GASPS]

 

It's-- It's aII right.

 

It's aII right. Me and Gerry,
we shared everything together.

 

[GASPS]

 

Oh, no, no, no, I didn't mean it Iike that.

 

What I meant was, you know,
he wouIdn't have a probIem....

 

WeII, he might have a probIem
but, you know...

 

...there's not much
he can do about it now, is there?

 

HoIIy.

 

Come here. Come back to bed.

 

Now, Iet's-- Let's taIk.

 

Oh....

 

I heard he died.

 

Tumor, was it? Yeah.

 

You know, Gerry and I, we....

 

We hadn't seen each other
in a Iong, Iong whiIe.

 

It's sad when that happens
to best friends, isn't it?

 

[SIGHS]

 

He.... He was a wonderfuI Iad.

 

It's aII right, you know.

 

It's okay.

 

You know, these things...

 

...they happen now and again.
Not very often...

 

[HOLLY CHUCKLES]

 

...but now and again.

 

WouId you Iike me to teII you
some stories about me and Gerry?

 

I've got pIenty.

 

Yeah?

 

Okay, here you go. Come on, sit back.

 

You know, he was....

 

He was my very, very best mate.

 

Starting back when we were terrors
running about at 5 and 6.

 

[LAUGHS]

 

Oh, he made me Iaugh.

 

There was this time,
I don't remember how oId we were...

 

...probabIy, you know, 1 0, 1 1 .

 

We jumped on a train....

 

[WILLIAM TALKING INDISTINCTLY]

 

[INAUDIBLE]

 

[PIANO PLAYING]

 

We received those packages you sent.
Come in. Come in.

 

Martin?

 

Look who it is.

 

Oh, weII, Iook at that.

 

Come here, dear.

 

So nice to see you.

 

He was aIways one for writing.
Wasn't he?

 

ShouId've gone professionaI.

 

No. He did it for the Iove of it, Martin.

 

Now, where is it?

 

Oh, here it is.

 

''When HoIIy visits, take her
to my fort in the back yard...

 

...and give her this enveIope.''

 

He knew that I'd come visit you?

 

Hmm. Suppose he did. Heh. Martin.

 

AII right.

 

It's not reaIIy a fort,
it's just a stone waII.

 

He used to caII it that when he was IittIe.

 

He goes on about other things...

 

...IoveIy things.

 

He hadn't much strength in the end
though, did he?

 

Makes me sick to think
we weren't there when he died...

 

...for the funeraI.

 

ROSE: But you couId hardIy waIk
just after your operation.

 

Maybe you'II come and visit us a bit more
now that he's gone, eh?

 

Martin, don't put that on her.

 

You're under no obIigation.

 

It's not Iike we're bIood famiIy.

 

I'd Iike to come visit.

 

And I'm sorry we didn't in the past. I--

 

I just thought you were angry with me
for taking Gerry away.

 

-She wanted you dead, you know.
-Martin, don't you dare!

 

No, I don't bIame you.

 

You know, my mother, she never
quite got over the idea either.

 

Yeah, weII, you were both so young.
And it happened too fast.

 

But Gerry Ioved you. I saw that.

 

I saw that.

 

GERRY: To my Galway Girl:
You're an angel for seeing my folks.

 

I told you my mom didn't hate your guts.
Well, you know, anymore.

 

You are now standing in my fort
where I did all my big thinking.

 

This is where I stood thinking about you
after the very first time we met.

 

You didn't look real to me at first.

 

I never saw so many colors
on one girl before...

 

...but you looked like
you belonged out there, all right.

 

You and all your colors.

 

Do you remember
the first thing you ever said to me?

 

I'm Iost.

 

Oh, you didn't look lost, not to me.

 

So, what are you Iooking for out here?

 

WickIow Mountains NationaI Park?

 

[LAUGHS]

 

WickIow Mountains NationaI Park.
TeII me, how Iong you been waIking for?

 

A few hours.

 

WeII, you've probabIy been in
the nationaI park for a few hours, then.

 

Oh, my God.

 

This is a park?

 

Uh-huh.

 

Oh.

 

It's so coId!

 

The paper said it was gonna be warm.

 

It is warm. I know you're Iost, but
you do know you're in IreIand, don't you?

 

WeII, I better head back. Heh.

 

-And where is that?
-I'm staying at a B and B in DunIougahairy.

 

DunIagohairy?
No, I think you mean Dun Laoghaire.

 

-Heh-heh. You're kidding?
-No. WouId I Iie to you?

 

-Dun Laoghaire?
-Dun Laoghaire.

 

Okay. Thanks.

 

You're grand.

 

But you're going the wrong way,
you know.

 

[SOFTLY]
That way?

 

[CHUCKLING]
Okay.

 

I think you quite enjoy this getting Iost,
don't you?

 

You know, actuaIIy,
I don't mind so much, not here.

 

So how did you come to be here?

 

Oh, on my way home, coIIege trip.
We started in Greece.

 

Jesus, that's a Iong waIk.
That's a bad joke.

 

What are you studying?

 

-Art. Yeah.
-Art?

 

-Oh, so you're an artist, then?
-Oh. I don't know yet.

 

That's great.

 

[CHUCKLING]

 

Do you make anything or...?

 

I don't know yet.

 

[BOTH CHUCKLING]

 

WeII, good Iuck with that.

 

Oh.

 

You....

 

WouId you mind if we waIked together
since we're going in the same direction?

 

I'II stay on this side of the road.
Don't even have to taIk. Just--

 

Just quite nice, sometimes waIking
aIong with someone without taIking...

 

...once you get your feet wet.

 

GERRY:
At first, the no-talking thing didn't last.

 

Before long, I couldn't get you to shut up.

 

But you were so cute, trying to impress me
with William Blake and all your grand plans.

 

I had no idea
what you were talking about...

 

...but I couldn't help
loving the way you talked.

 

''I must create a--''

 

Something.''--or be ensIaved
by another man's--'' Something.

 

Wait, ''I wiII not....

 

[GRUNTS]

 

I wiII not reason or compare.

 

My business is to create....''

 

-Something. Oh, God.
-Did you just make that up then?

 

No, it's WiIIiam BIake,
but I compIeteIy screwed it up.

 

No, you didn't, you made it better.
I understood it.

 

GERRY:
I didn't have a clue, actually.

 

AII I know is, if you don't figure out the
''something,'' you'II just stay ordinary.

 

And it doesn't matter if it's a work of art,
or a taco, or a pair of socks.

 

Just create something new
and there it is.

 

And it's you, out in the worId,
outside of you.

 

And you can Iook at it, or hear it,
or read it, or feeI it...

 

...and you know
a IittIe bit more about you.

 

A IittIe bit more than anybody eIse does.

 

Does that make any sense at aII?

 

Yeah.

 

You're saying you want to paint socks.

 

Maybe.

 

[CHUCKLES]

 

GERRY:
I loved you right then and there.

 

HOLLY:
Hey, I Iike this jacket.

 

GERRY:
It Iooks good on you. Got it on a bet.

 

-What was the bet?
-Heh.

 

I was a few Guinness's
for the worse at this point...

 

...but a feIIa bet me
that I couIdn't get a certain girI...

 

...to kiss me without a provocation.

 

-What girI?
-His girI.

 

-Oh! Ha-ha.
-Uh-huh. Ha-ha.

 

-How'd you do it?
-There's nothing to it, reaIIy.

 

A feIIa just has to teII a woman
the truth without words.

 

It's Iike a signaI you send out.

 

The woman, she just picks it up.

 

And what's the truth?

 

That kissing her wouId be
the end of Iife as I know it.

 

Wow.

 

And that's true of every girI
you've gotten to kiss you?

 

[GERRY LAUGHS]

 

I couId turn it on and off when I was
younger and I had no principIes.

 

When every girI that I was Iucky enough
to kiss was the end of Iife as I knew it.

 

And now?

 

Now I onIy send it out when I think
she might be the one that makes it true.

 

I know where I am now.
Thanks, it was reaIIy nice to meet you.

 

-No, I couId waIk you into town.
-Oh, no, it's okay.

 

I know where I am.
I know where I'm going.

 

I'II never forget this.

 

Your jacket.

 

[DOG BARKING]

 

No, wait!

 

[WHISPERING]
Wait, wait, don't move.

 

-What?
-Oh, yeah, it's a wiId Irish dog.

 

-A what?
-Shh!

 

-You have to stand stiII.
-Okay.

 

Get cIose, Iike one person.

 

And if we separate, he'II feeI...

 

...threatened and attack our vitaI parts.

 

-What vitaI parts? AII my parts are vitaI.
-Shh, shh.

 

[BARKING THEN GROWLING]

 

GERRY:
We have to stand stiII.

 

Now, just Iet him sniff around a bit.

 

[SNIFFING]

 

GERRY:
Now wait.

 

[WHISPERING]
I'm reaIIy scared.

 

WouId you put
your arms around me?

 

AII right.

 

-Yeah, that's probabIy a good idea.
-Yeah.

 

[DOG PANTING]

 

Do you think we couId turn around and
face each other without freaking him out?

 

Ahh.... Okay. Sure.

 

-But Iet's move very sIowIy, okay?
-Okay.

 

-Ow.
-Oh, sorry.

 

I haven't done this in a whiIe.

 

I've been seeing this boy,
but we don't do much. I don't know why.

 

-Maybe it's me.
-No, he's a boy who...

 

...doesn't know anything about kissing.

 

That's a man's business.

 

Is it?

 

That was the most perfect...

 

...perfect first kiss.

 

That was the second.

 

This is the third.

 

MAN:
Brody, come.

 

Hey, Gerry.

 

Yeah. How are you, Jeff?

 

-Hey, where you going?
-No, stay. Stay.

 

No, but-- You have my jacket.

 

I know, I'm keeping it
unIess we meet again.

 

I bet we do.

 

That's a bet you're gonna
have to win because...

 

...if we do meet again then that'II be
the end of it, you know.

 

The end of what?

 

Life as we know it.

 

[CHUCKLES]

 

-Look, I'm singing at this pub--
-No, no, no. Don't teII me.

 

If I happen to waIk into the right one
in the right town...

 

...then we'II know for sure, won't we?
And if I don't...

 

...then that'II just be the most perfect kiss
ever created by two strangers...

 

...and we'II just keep it perfect
for the rest of our Iives.

 

-What's your name?
-No, no! Wait, no, don't.

 

Don't, don't. No, no....

 

GERRY:
Life had changed as I knew it.

 

And now it's changed again, luv.

 

See, I don't worry about you
remembering me...

 

...it's that girl on the road
you keep forgetting.

 

''My business is to create.

 

It doesn't even matter what you do.''

 

You toId me that, remember.

 

P.S.

 

GERRY:
So go home. Go find it.

 

Find that thing
that makes you like nobody else.

 

I'll help.

 

Look for a sign.

 

[PHONE RINGING]

 

[ANSWERING MACHINE BEEPS]

 

PATRICIA [O VER MACHINE] : It's Mom.
Sharon called, said you're home.

 

SHARON: Where are you?
PATRICIA: Call me.

 

SHARON: You haven't returned my calls.
Come to my first baby doctor's appointment.

 

DENISE: What is going on?
Nobody's heard from you...

 

-...my maid of honor. Call me.
SHARON: Call me.

 

GERRY: If you need to find any job
to get by, be realistic, luv, all right?

 

DENISE: I cannot believe
you are not calling me back!

 

GERRY:
You can't be a secret agent...

 

...and there's no such thing
as a vampire slayer.

 

DENISE: I'm getting married. Where are you?
SHARON: Pick up the phone!

 

PATRICIA:
His death is a part of your life now.

 

DENISE:
I am so mad at you!

 

[TV PLAYING]

 

[O VER TV]
Shh. There she is.

 

[STOPS FILM]

 

Great shoes.

 

[PHONE RINGING]

 

[ANSWERING MACHINE BEEPS]

 

DENISE:
Okay, this message is for Holly Kennedy.

 

Please tell her, her friend Denise...

 

...is getting married December 3 1 st
and she's not invited. Okay?

 

How about that? You're not invited.

 

[INDISTINCT CHATTER]

 

DENISE:
Look at this. It needs to be tighter!

 

WOMAN:
AII right, I wiII do whatever you want...

 

...but I'm not so sure, I mean, I think--

 

No, Iisten, your bust Iooks absoIuteIy right,
because Iet me teII you something...

 

...you don't want to Iook too busty.

 

Yeah, weII, see, aIthough, you know,
my breasts are beautifuI and firm...

 

...they do often have a mind of their own
and they can go off in different directions...

 

...without aduIt supervision.

 

So couId you pIease just take it in just
a quarter-inch? Just a quarter-inch.

 

-Okay.
-Okay.

 

CouId you give us--
Excuse us for a minute, pIease?

 

-Sure.
-Thanks.

 

You Iook beautifuI.

 

WeII, I couId've used some heIp.

 

This is the tweIfth dress
I've tried on. So....

 

I'm sorry.

 

WeII, you were supposed to be my maid of
honor, but of course I didn't hear from you.

 

Sharon feeIs too conspicuous since
she's popped. So, guess what?

 

I had to ask Tom's 51 -year-oId sister...

 

...who Iooks Iike Jerry Springer
and doesn't Iike me...

 

...aII because my best friend couIdn't
stand me being so happy.

 

Why? Why is that?

 

Because our Iives were moving on and you
weren't the center of attention anymore?

 

-Yes.
-ReaIIy?

 

-It was awfuI and I'm reaIIy sorry.
-Oh, no, I'm so sorry, honey.

 

No, I'm so sorry.

 

You were right and I was wrong.

 

God, I'm such a bitch! I'm sorry!
I was so crazy mad.

 

I hope you can forgive me.

 

Oh, you know what, it's not too Iate.
You can stiII be a bridesmaid with Sharon.

 

-Okay.
-Okay?

 

Can I ask you a favor?

 

-I want to make your wedding shoes.
-My shoes?

 

What'd you turn into, Geppetto?

 

Oh, my God! These are gorgeous!

 

I've been taking a cIass. It just happened
out of the bIue. I reaIIy Iove it.

 

Oh, my God!

 

HOLLY:
They're one-of-a-kind.

 

You'II be the onIy bride in history
to wear them.

 

Love that!

 

Oh, God, HoIIy!

 

This is Iike shoe art.

 

They're gorgeous! We have to
show these to someone.

 

[CAR HORN HONKS]

 

HOLLY:
I feeI Iike Gerry's guiding me.

 

I mean, shoes! I Iove shoes but I never
thought about it.

 

You Iook so great.

 

Thanks.

 

-Course, I Iook great too, right? Ha-ha.
-Yes.

 

When aII this started happening,
you're the first person I wanted to teII.

 

Isn't that funny?

 

That's hiIarious. Any way we can stretch
this Iunch out into a dinner?

 

I'm going to change the subject.

 

-How are you?
-I'm good. Things are good.

 

I've got some, some ideas for the future,
some possibIe business prospects.

 

I think about you aII the time.

 

That's a IittIe too much information,
I guess.

 

Yes.

 

But you did say you were
thinking about me.

 

Because you've been a reaI friend
through this aII.

 

So, you haven't thought about me
in the nude?

 

No.

 

-Not once?
-No.

 

-Not even without my shirt?
-Gerry, stop it!

 

DanieI.

 

I'm DanieI.

 

Sorry.

 

You think you'II ever feeI about
somebody the way you feIt about Gerry...

 

...or do you have to wait for a Ietter
to figure that out?

 

Where you going?

 

I reaIIy Iike you...

 

...but I can't be the invisibIe man.

 

I'm tired of being the shouIder.

 

I want to be another body part you need,
you know? I wanna be...

 

...the bad guy.
I want a woman to go crazy over me...

 

...and then I wanna use her up
untiI she's ruined for aII other men.

 

-You don't wanna do that.
-No, I don't wanna do that, but I wouId....

 

[SIGHS]

 

I'd Iike to date a woman
who actuaIIy Iikes men.

 

I'd Iike to be somebody's Gerry.

 

It's aII right.
HonestIy, it's not your fauIt, it's mine.

 

I didn't pIan on feeIing something for you,
it just sort of happened.

 

So I'm sorry about that.

 

Is your guest coming back?

 

-No.
-Just you on your own, then?

 

[INDISTINCT CHATTERING]

 

Take a break, wiII you?

 

-Mom!
-What's the matter?

 

[BREATHING HEAVILY]

 

[SOBBING]

 

Come on.

 

Come on.

 

What happened?

 

When-- When Daddy Ieft...

 

...I was 1 4 and I said:

 

''That's it, never again. No man....''

 

And then I meet Gerry.

 

This wonderfuI man happens to me
and then-- And then--

 

And then he died!

 

-What was the point?
-I know, honey.

 

I'm so angry I couId kiII somebody!

 

I'm aIone and...

 

...it doesn't matter what job I have,
or what I do or what I don't do...

 

...or what friends I have. He's not here.

 

I'm-- I'm not here.

 

-I mean, you're aIone no matter what.
-That's right.

 

[SOBBING]

 

You know, I didn't come here for you
to give me some buIIshit honest answer.

 

Why can't you Iie to me just once?

 

I'm sorry, sweetheart.

 

-I can't breathe. I can't breathe.
-Shh. Come on.

 

Let's go for a waIk.

 

PATRICIA:
Your father and I used to come here.

 

They had dances.

 

WeII, not reaIIy dances.

 

We'd come with radios and cigarettes...

 

...and drink beer and Iisten to Jimi Hendrix.

 

I bet you've had a hard time waIking into
a room fuII of peopIe on your own, right?

 

Yeah, I know that.

 

I know what it is not to feeI Iike you're in
the room untiI he Iooks at you...

 

...or touches your hand, or even makes
a joke at your expense...

 

...just to Iet everyone know
you're with him.

 

You're his.

 

God, that man couId make me Iaugh.

 

Daddy?

 

[LAUGHING]

 

I don't ever remember you Iaughing.

 

WeII, that makes me sad...

 

...because I did.

 

I did.

 

Did you hate Gerry because
he reminded you of Dad?

 

A IittIe.

 

[SIGHS]

 

You know the worst thing for a parent,
second after Iosing a chiId?

 

Watching your chiId head for
the same Iife you had...

 

...and you can't stop it.

 

It's a terribIe, heIpIess feeIing.

 

Makes you angry aII the time...

 

...and I've been angry...

 

...a very Iong time.

 

[SIGHS]

 

I'm exhausted.

 

Do you think we'II ever see Dad again?

 

No, sweetheart.

 

Never.

 

So you have to stop waiting.

 

You?

 

I have to say I was impressed by how
he worked everything out ahead of time...

 

...every deIivery scheduIe,
the maiIbox key....

 

Getting that Ieather jacket out
of your apartment wasn't easy...

 

...with you acting Iike Miss Havisham.

 

He made me promise.

 

I couIdn't say no.

 

I toId him I didn't think
it was good for you, but...

 

...I couIdn't say no.

 

It's the Iast one...

 

...so aII aIone or not...

 

...you gotta waIk ahead.

 

Thing to remember is...

 

...if we're aII aIone,
then we're aII together in that too.

 

It heIps me sometimes.

 

[ANSWERING MACHINE BEEPS]

 

DANIEL [O VER MACHINE] :
Hi, it's Daniel.

 

Remember what I said in the restaurant?
Well, please forget it word by word.

 

They're gonna build
a new Yankee stadium.

 

I don't know why I said that.
I'm making small talk. I hate small talk.

 

I hate the people who make small talk.
I should-- I should stop. I'm stopping.

 

Shit!

 

[HANGS UP]

 

Gerry?

 

[FOOTSTEPS]

 

DANIEL:
My uncIe can get us in anytime we want.

 

He turned the Iights on for us.

 

HOLLY:
It's amazing....

 

You sure?

 

It's okay.

 

DANIEL:
''Dear HoIIy, I don't have much time.

 

I don't mean IiteraIIy, I mean, you're out
buying ice cream and you'II be home soon...

 

...but I have a feeIing this is the Iast Ietter.

 

Because there's onIy one thing
Ieft to teII you.

 

It isn't to go down memory Iane
or make you buy a Iamp.

 

You can take care of yourseIf
without any heIp from me.

 

It's to teII you how much you move me.
How you changed me.

 

You made me a man
by Ioving me, HoIIy...

 

...and for that I am eternaIIy gratefuI.

 

LiteraIIy.

 

If you can promise me anything,
promise me that whenever you're sad...

 

...or unsure...

 

...or you Iose compIete faith...

 

...that you'II try and see yourseIf
through my eyes.

 

Thank you for the honor
of being my wife.

 

I'm a man with no regrets.

 

How Iucky am I?

 

You made my Iife, HoIIy,
but I'm just one chapter in yours.

 

There'II be more.

 

I promise.

 

So here it comes, the big one.

 

Don't be afraid to faII in Iove again.

 

Watch out for that signaI
when Iife as you know it ends.

 

P.S., I wiII aIways Iove you.''

 

Have you thought about this?

 

About me, I mean?

 

Have you?

 

Yeah.

 

-This isn't gonna work, is it?
-No way, no how!

 

-Damn!
-Oh!

 

[LAUGHING]

 

Oh, wow.

 

I mean, that was Iike kissing my sister.

 

-I'm so reIieved!
-Ha-ha-ha.

 

I got this Ietter and I thought he must have
been feeIing seIf-sacrificing...

 

...but he's reaIIy fuII of crap.
If he meant it, he'd give me a sign.

 

-I hate signs.
-Then I got your message on the machine.

 

[SIGHS]

 

Weird, bitter friends?

 

Forever.

 

[SIGHS]

 

What's wrong, friend?

 

It's Gerry.

 

It's been a year...

 

...and I don't feeI him
around me anymore.

 

I don't think he's here anymore.

 

I think Gerry's gone.

 

[WHISPERS]
He's reaIIy gone.

 

HOLLY:
Dear Gerry, you said you wanted me...

 

...to fall in love again...

 

...and maybe one day I will,
but there are all kinds of love out there.

 

This is my one and only life...

 

...and it's a great and terrible
and short and endless thing...

 

...and none of us come out of it alive.

 

I don't have a plan except
that it's time my mom laughed again.

 

She's never seen the world.

 

She's never seen Ireland, so I'm
taking her back to where we started.

 

Maybe now she'll understand.

 

Mom?

 

WiIIiam?

 

HeIIo, you.

 

You back for another visit?

 

How Iong?

 

I don't know.

 

Oh, um-- This is my mom, Patricia.

 

HeIIo. This is me father, Patsy.

 

You've dropped your sweets, Iuv.

 

Mustn't do that around these parts.

 

Pretty woman Iike you,
a feIIa couId take it the wrong way.

 

[LAUGHING]

 

[PATSY LAUGHING]

 

So I'II see you around, then?

 

Yeah.

 

HOLLY: I don't know how you did it,
but you brought me back from the dead.

 

I'll write to you again soon.

 

P.S...

 

[WHISPERS]
Guess what.

 

[ENGLISH SDH]